Sterling Silver Jewelry
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Native American Sterling Silver Jewelry -
A Little History
Early
Navajo smiths used Mexican and U.S. coins for their silver. Often, if they
were given a special order from a trader, local rancher, or businessman,
they would receive silver in the form of candlesticks, tea pots, etc. to
melt for their work. The Navajo preferred to use melted Mexican silver
coins because they were easiest to work (.90275 fine). The next preferable
source was whatever sterling silver was available (.9025 fine). Least
desirable, but most available and durable, was silver from melted U.S.
coins (.900 fine). In 1890, the U.S. made it unlawful to melt or deface
(by soldering on hooks, eyes, jump rings or by “doming”) coins for
beads. However, this was difficult to enforce, and U.S. coinage continued
to be used in the developing Navajo silver industry. Now that there was a
demand for materials and tools, the reservation traders began to stock
many of the needed items. Although the Navajo were able to make flux from
native materials, the commercial flux was superior. Likewise, commercial
cutting, grinding, and fine polishing tools were more desirable than
homemade ones. This was the beginning of a new economy involving the
Indians, traders, and eastern suppliers.
Very shortly after Atsidi Sani began the craft, it spread
across the area. He taught his sons and they taught others. The craft
appeared in Zuni around 1872. Atsidi Chon (Ugly Smith) taught his close
Zuni friend, Lanyade, the skills. The Zuni were already skilled in
metalworking, making items in copper, brass, and iron. Research shows that
a forge existed in Zuni in 1852. It is reported (see Rosneck and Stacy)
that Lanyade paid Atsidi Chon “one good horse” for his instruction.
Lanyade learned the trade well. He began touring the various pueblos
selling his creations. While on Hopi First Mesa at Sichomovi, he taught the Sikyatala,
first Hopi Indian to practice this craft. Since Lanyade was taught by
a Navajo and the Hopi were taught by Lanyade, all the creations of the
period was Navajo in style. As a side note, this is why provenance
(history of origin-ownership) is so important for 19th century products in
properly identifying its origin. It’s too easy to say that because it
looks like Navajo work it is therefore of Navajo origin.
During these early years, the use of solder was learned and developed,
as was the skills of making it different colors. Soldering permitted the artistic
and permanent joining of two or more metal pieces, resulting in a
multitude of design possibilities and the ability to set stones. Die
making was probably adopted from the many leather tooling dies used by
Spanish, Mexican, and later Indians, to work both leather and tin.
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